PREVIOUSLY SEEN ON DISINFO.COM, REBLOGGED BY ORIGINAL AUTHOR
Introduction or “DIM THE TZIM-TZUM”
“Sound Sigils,” or music constructed from occult practices and theory, have been my main magic(k)al and songwriting process since childhood. These sonic experiments would fall under what I’ve come to know as “Audiomancy,” (Not to be confused with local Portland author Ezra Sandzer-Bell’s book of the same name, which is the sequel to his phenomenal Astromusik – a text that focuses on the correlation between music theory and metaphysical ideas (an interview with the audiomancer is, hopefully, to be included in this series.)
Personally, I have come to call these experiments “DIMS” because, when constructed or ritualized correctly, the senses are dimmed, the somatic self is dimmed and ethereal is that much brighter.
More specifically, the term “Dim,” as it relates to this technique, was coined by my old…